Wedding Videographer in Brooklyn, NY
Brooklyn does not hand you one look. A Gowanus warehouse under a skylight, a glass house full of palms, a rooftop in Williamsburg with Manhattan sitting across the water. Those are three different films inside one borough, so the first thing we settle is which Brooklyn your day is actually in, because the answer changes what goes in the bag.
The borough rewards planning more than it rewards gear. Loft venues run long and narrow, and the aisle you marry in is usually the floor you dance on an hour later, so the film has to survive that flip without looking like a room being reset. Rooftop light in north Brooklyn goes from harsh to perfect to gone inside half an hour. Cobblestone portraits near the bridge are beautiful and crowded, which means early or late, never the middle of a Saturday.
We stay for the shape of the whole night, the entrance, the elders walked in first, the floor that fills after dinner and never really clears. Brooklyn receptions run late on purpose, and the last hour is usually where the film finds its ending.
Brooklyn is a straight run from our northern New Jersey base, and we decide the crossing by the hour rather than by the map, then build it into the call sheet.
Featured venues
- 501 Union
Gowanus. A 1916 industrial building at 501 Union Street, with exposed brick, handcrafted chandeliers and a skylight over the main room.
- Brooklyn Botanic Garden
The glass walled Palm House seats up to 250 beside the Lily Pool Terrace, and the Atrium seats up to 125 facing Cherry Esplanade.
- The William Vale
Williamsburg. The Vale Ballroom holds up to 320, with a 23rd floor rooftop and terrace above 111 North 12th Street facing Manhattan.
- 26 Bridge
A converted metal factory at 26 Bridge Street near DUMBO, with skylights and exposed beams, seating about 250 or 375 standing.
- Dobbin St
A transformed factory at 64 Dobbin Street by McCarren Park, with a 3,000 square foot rooftop terrace and a courtyard below it.
How the house works
A conversation first
We start with the day itself. Who is in it, where it moves, and the handful of moments you would be heartbroken to lose. Nothing is quoted before we understand that.
A quiet camera
On the day the house works small and close. No blocking the aisle, no staging your guests, no directing a room that is already doing something worth keeping.
The film, finished
You receive a cinematic edit built for the way people actually watch, cut to the sound of your own day. Everything included is agreed in writing before the date is held.
Brooklyn weddings, answered
Our ceremony and reception are in the same loft. How does that look on film?
Fine, as long as somebody plans the flip. The room gets turned around during cocktail hour, so we shoot the ceremony wide enough that the space reads as a room and not as a set of chairs, then cover the reset from outside the room. Guests come back to something that looks intentional, and the edit never has to hide a staff member carrying a table.
Can we get the skyline in our portraits without losing the cocktail hour?
Yes, if it goes on the timeline as a fixed appointment. North Brooklyn rooftops and the waterfront face west, so the shot has a start time and a hard finish, usually around twenty five minutes long. We take it, we come back, and nobody spends their own party waiting on an elevator.
Do we need a permit to film on the street or in Brooklyn Bridge Park?
A small handheld crew on a public sidewalk usually does not. Tripods, park land and anything that holds a curb go through the Mayor's Office of Media and Entertainment. We tell you which side of that line your shot list falls on before the timeline is locked, rather than finding out on the day.
Do you film Nigerian, Ghanaian and Caribbean weddings?
Yes, and the honest answer is about coverage rather than a style. A two part day, the traditional ceremony and then the white wedding, is really two events with two sets of clothes, two rooms and often two guest lists, and it needs the hours and the second shooter to match. Send us the running order and who leads each part, and we build the schedule and the crew around it instead of squeezing both halves into one standard package.
Brooklyn parking is brutal. Does that eat into our coverage?
Not if we plan for it. We arrive well ahead of the first call, park once and work on foot for the rest of the day. Loading in and out of a loft with one freight elevator is the part that actually costs time, so we settle the load in window with your venue in advance.
Tell us about your Brooklyn wedding.
Dates go quickly through the season. Send the day, the place, and anything you already know, and we will tell you honestly whether the house is the right fit.
Begin the conversation