Wedding Videographer in Hartford, CT
Hartford is a capital city that empties at five, and that is a gift to a wedding. On a Saturday evening the downtown blocks belong to whoever is out in them, which in practice means your wedding party has Pratt Street and the Capitol lawn largely to itself while the office towers stand there looking expensive behind you.
The rooms downtown are older and stranger than people expect. A Pratt Street hall with a staircase pouring down off a three thousand square foot balcony. A penthouse ballroom on Asylum Street with three walls of glass over the Capitol dome. A club that has been running for almost a hundred and fifty years, and the oldest public art museum in the country, which will rent you a court with a fountain in the middle of it and a Sol LeWitt on the wall.
Distance is the one real cost. Hartford is the far end of our map, so we come up the night before rather than arrive tired, and we build the day with enough room that nothing is rushed at the front. Everything is filmed vertical, so the people who could not make the drive still get the version that plays properly on a phone.
Hartford is the far corner of the area we cover, and we come in the night before rather than gamble a ceremony start time on I-91.
Featured venues
- The Society Room of Hartford
At 31 Pratt Street, marble, limestone and bronze under a sweeping staircase that comes down off a three thousand square foot balcony.
- Bond Ballroom
Five thousand square feet on the penthouse floor at 338 Asylum Street, sized for 100 to 350, with a twenty by forty dance floor and three walls of windows over the Capitol.
- The Hartford Club
A private club at 46 Prospect Street, running for almost a hundred and fifty years, with seven distinct rooms scaling from ten guests up to a thousand.
- Wadsworth Atheneum
The oldest continually operating public art museum in America, at 600 Main Street, renting Avery Court at 220 seated and the Morgan Great Hall under fifty foot ceilings.
- Hartford Marriott Downtown
Ten event rooms downtown, the main ballroom taking up to 500 and the Capital Room up to 120, with outside caterers welcomed.
How the house works
A conversation first
We start with the day itself. Who is in it, where it moves, and the handful of moments you would be heartbroken to lose. Nothing is quoted before we understand that.
A quiet camera
On the day the house works small and close. No blocking the aisle, no staging your guests, no directing a room that is already doing something worth keeping.
The film, finished
You receive a cinematic edit built for the way people actually watch, cut to the sound of your own day. Everything included is agreed in writing before the date is held.
Hartford weddings, answered
The Wadsworth is a museum. What can a film crew actually do in there?
Less than in a ballroom, and that is fine. Museum events run on rules that exist to protect the art, which means fixed positions, no cable run across a gallery floor and no light pointed anywhere it should not be. Their team asks for ninety days notice, so we get the shot list approved early and shoot inside it rather than negotiating on the day.
Half our family cannot make the drive up. What do they get?
The same film, cut for the way they will actually watch it. Vertical, full frame on a phone, no black bars, and the vows mixed so they carry through a phone speaker. That is the copy that gets forwarded around the family, so it is the copy we build first.
Church service in the morning, reception downtown at six. What happens in between?
That gap is where most Hartford films are won. We use it for portraits and for the quiet room footage nobody thinks to ask for, and we keep the day to two locations if we can. Three moves costs you an hour you will want back at the reception.
Is a penthouse ballroom a problem for load in?
It is a lift and an elevator like any tower floor, which means gear goes up on the building's schedule rather than ours. We ask your coordinator for the load in window early. It is a five minute conversation in March and a real problem in the final week.
Winter dates are cheaper here. Is that a bad idea on camera?
Not at all, but it changes the plan. Sunset in January puts you in the dark before the ceremony ends, so outdoor portraits move to the front of the day and the interiors carry the evening. Those downtown rooms were built to look good under their own light, which is exactly what a winter date needs.
Tell us about your Hartford wedding.
Dates go quickly through the season. Send the day, the place, and anything you already know, and we will tell you honestly whether the house is the right fit.
Begin the conversation