Wedding Videographer in Union, NJ
Union Township sits where Route 22, the Parkway and Morris Avenue all cross, which is why families from three counties over still end up marrying here. It is central, it is easy to reach, and it holds two kinds of room that have almost nothing to do with each other: an eighteenth century estate and a university campus built inside the last decade.
Liberty Hall is what brings most couples to look at Union in the first place. The 1772 house and its grounds sit at the edge of the Kean campus and take weddings from May through October, under a tent or inside an 1882 carriage house, up to a hundred and fifty people. A few hundred yards away the same university rents a glass atrium with a rooftop that faces the Manhattan skyline. One township, two centuries, four minutes apart.
The rest of the day usually happens along Stuyvesant and Morris Avenue. A stone sanctuary rebuilt after the first church burned in 1780, a golf club with banquet rooms over the fairway, and a lot of cooking in somebody's kitchen before any of it starts. We film that part too, quietly.
Union is about fifteen minutes from us on a bad day, so we tend to be there while the house is still quiet and the flowers are still sitting in their boxes.
Featured venues
- Liberty Hall Museum
The 1772 Livingston estate at 1003 Morris Avenue, taking weddings May through October for up to 150 guests under a tent or in the 1882 carriage house.
- Liberty Hall Academic Center
Kean University's event building at 1000 Morris Avenue, pairing a cathedral ceilinged reception hall with a teak pergola and a stone patio outside it.
- The Glass Atrium and Rooftop at STEM
Kean's science building on Morris Avenue, seating 175 for dinner behind floor to ceiling glass with a rooftop terrace that faces Manhattan.
- Connecticut Farms Presbyterian Church
The First Presbyterian Congregation of Connecticut Farms at 888 Stuyvesant Avenue, its stone sanctuary rebuilt in the 1780s after the original was burned.
- Suburban Golf Club
Club at 1730 Morris Avenue with banquet rooms overlooking the course, listing weddings, anniversaries, cocktail parties and showers among its events.
How the house works
A conversation first
We start with the day itself. Who is in it, where it moves, and the handful of moments you would be heartbroken to lose. Nothing is quoted before we understand that.
A quiet camera
On the day the house works small and close. No blocking the aisle, no staging your guests, no directing a room that is already doing something worth keeping.
The film, finished
You receive a cinematic edit built for the way people actually watch, cut to the sound of your own day. Everything included is agreed in writing before the date is held.
Union weddings, answered
Can we hold the ceremony at Liberty Hall and the reception somewhere else in town?
You can, and that short hop is one of the reasons people choose Union. The estate books weddings May through October and its own ceiling is a hundred and fifty guests, so couples with a longer list often marry on the grounds and eat somewhere with a proper ballroom. Give us both addresses early and we will hold a camera on the leaving and the arriving instead of letting the transfer vanish out of the film.
Half our guests are coming off Route 22. Does the traffic change anything?
It changes the buffer, not the plan. The 22 and Parkway interchange thickens in the late afternoon in a way that is predictable rather than random, so we pull family portraits earlier and let the last arrivals walk into cocktail hour. Nobody in the finished film looks hurried, because the schedule assumed the road before the road happened.
The church is old and dark inside. What do you do about that?
We walk it before your date. A rebuilt colonial sanctuary means small windows, dark wood and a fixed lighting rig nobody is permitted to touch, which is a known problem rather than a surprise on the morning. We shoot fast glass, place ourselves where the daylight actually falls, and ask the officiant in advance exactly where we may stand, because that answer changes from building to building.
We want the film to feel like our family, not like a brochure. How do you get that?
By staying close and asking for nothing. In houses on this side of the township the best twenty minutes of the day tend to happen in a kitchen before anybody has put shoes on, and that footage only exists if the camera was already in the room and behaving itself. We work small, we do not stage arrivals, and we never ask a room to do a moment again for us.
Tell us about your Union wedding.
Dates go quickly through the season. Send the day, the place, and anything you already know, and we will tell you honestly whether the house is the right fit.
Begin the conversation